Edouard Vuillard
Edouard Vuillard's Oil Paintings
Edouard Vuillard Museum
November 11, 1868-June 21, 1940. French painter.

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unknow artist
European city landscape, street landsacpe, construction, frontstore, building and architecture.020

ID: 46495

unknow artist European city landscape, street landsacpe, construction, frontstore, building and architecture.020
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unknow artist European city landscape, street landsacpe, construction, frontstore, building and architecture.020


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unknow artist

  Related Paintings of unknow artist :. | Execution scene of Mary at Fotheringhay in 1587 | Advance among isbergen in Dodge straits | Portrait of a lady, probably Pantasilea Dotto Capodilista | The Rape of the Sabine Woman | Had ses Marco Polo kopa in pepar in Pepparlandet,det fuktiga,heta omradet beyond Malabarkusten in vastra India |
Related Artists:
Bernardo Zenale
Italian Painter , ca.1436-1526
Frederick Morgan
English Painter 1856-1927
Edward Arthur Walton
British Painter, 1860-1922 He trained at the Staatliche Kunstakademie in Desseldorf (1876-7) and Glasgow School of Art. One of the GLASGOW BOYS, he painted outdoors in the Trossachs and at Crowland, Lincs, with James Guthrie, Joseph Crawhall and George Henry. He also painted in W. Y. Macgregor's life studio in Glasgow. He joined the New English Art Club in 1887 and developed an atmospheric landscape style influenced by plein-air painting and by James McNeill Whistler with whom he was friendly during his stay in London (1894-1904); Autumn Sunshine (1884; U. Glasgow, Hunterian A.G.) is characteristic. Walton was a regular exhibitor from 1880 in both Glasgow, at the Institute of the Fine Arts, and Edinburgh, at the Royal Scottish Academy. He was elected an Associate of the Academy in 1889 and a full member in 1905, taking an active role in its affairs after moving to Edinburgh in 1904. He concentrated after c. 1885 on pastel and on watercolour, which he used notably in his Helensburgh and Kensington scenes of contemporary life. From 1915 he served as President of the Royal Scottish Water Colour Society. Oil was reserved largely for portraits in a Whistlerian style, such as the Artist's Mother.






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